Sentence

A sentence cannot exist without previous sentences, but sometimes there is no initial statement. The left branch, the right, grammatically speaking, are footmarks painted on a ballroom floor. Rereading Poetics of Space. The sentence is a dwelling, a breath, to which I open my mouth. In which chargeless vacuum can we exist more: of the impulsive knee, of shapes manoeuvring in the sky. The sentence I just said wavers and becomes sentenceless. It shakes out its hair, it has a new dress. Syntax is shape, it shapes the reader. In my final class I said the sentence doesn’t exist in nature, only the utterance does, and one of my students challenged me, so I tried to explain how written language is a construct with rules which are arbitrary, while speaking is natural—we utter all the time without agreed rules—but this does not satisfy him, and I say I’ve got to do more reading on this subject, and the class laughs, but I’m left feeling uneasy. My student also.


Giles Goodland

Giles Goodland's books include Of Discourse (Grand Iota 2023). A Spy in the House of Years (Leviathan, 2001)  Capital (Salt, 2006), Dumb Messengers (Salt, 2012) and The Masses (Shearsman, 2018). Civil Twilight was published by Parlor Press in 2022. He has worked as a lexicographer, editor, and bookseller, and teaches evening classes on poetry and linguistics for Oxford University's department of continuing education, and lives in West London. 

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Aphorism

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I sit next to a beautiful man on a long flight